Counterculture emerged as a term in the late 1960s and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of counterculture and a critical examination of the period and its heritage. Recent developments in sociological theory complicate and problematise theories developed in the 1960s, with digital technology, for example, providing an impetus for new understandings of counterculture. Music played a significant part in the way that the counterculture authored space in relation to articulations of community by providing a shared sense of collective.
Countercultures and Popular Music (Ashgate Popular and Folk Music Series) read online
Countercultures and Popular Music (Ashgate Popular and Folk Music Series) for free
Countercultures and Popular Music (Ashgate Popular and Folk Music Series) read online free book
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